Tardieu-Laurent dinner @ 28-50 with Bastien Tardieu...

This dinner ten days ago was one I had been massively looking forward to. I love the wines from The Tardieu family. 28-50 Fetter Lane did a really great job of hosting the dinner, efficient but understated service and cracking food - menu below!

You can see some other Tardieu-Laurent posts that show the range of the wines. This family firm with father and son team of Michel and Bastien at the helm on the wine side just do a great job. They work with, often in the vineyard as well as cellar, a whole series of producers from Condrieu to Bandol. Producing about 80% reds and 20% whites. They are just what a quality focussed micro-negociant should be. The firm started in 1994 and the 1994 and 1995 vintages were aged in Burgundy (hence the "Laurent" bit) and then from 1996 onwards in Lourmarin where they are based now.

We started this evening with Condrieu 2015 as an aperitif. Now I don't really "do" Viognier in the same way that some people don't like pistachio ice cream (they are insane) but this I did like, and not just because I am biased. Full rich texture but a good bit of acidity and a nice oak integration, I imagine this doesn't see much new oak. It worked well as an aperitif but has plenty about it to be a great food wine. Bastien said it was from a new producer to them, based in Vernon with a parcel facing full south and on thin soil.

It was then time to be seated.

Goose and mustard terrine

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Norfolk Horn lamb rump

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Cheese and Pudding

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Chocolate Cremeux and Fourme d’Ambert

As Bastien said a few words we were served the Hermitage Blanc 2007 en magnum. This was a real star of a wine. This sees 24 months in oak but not much new. One of the key aspects to this wine being the fact that it is possibly the most long-lived of all their wines. One important point of the ageing being that it is done on the fine lees, Bastien noting that this is crucial to the character and complexity. There is a lot going on here, waxy with notes of petrol and pear then lanolin and beeswax, a rich wine but not heavy, more intense than heavy, a little white truffle...splendid just splendid.

As we moved from Terrine to lamb (which was superb) so we moved to reds, all from magnums:

Gigondas 2004 en magnum this is from a higher part of the Gigondas area known as les dentelles, meaning silk or lace as opposed to teeth as one might think. It is an area known for grace and elegance. As an aside, if you get the chance to go to Gigondas then go. It is a beautiful village and has a great restaurant - Oustalet - as outlined in this trip. Back to the wine, this is perfect now, good slightly degraded character and nice earthiness to combine with red back fruits.

Châteauneuf-du-Pape Cuvée Spéciale 2006 en magnum what a wine this is. Year in, year out I love this. 100% Grenache ("as Chateauneuf should be!"), made with 100% whole cluster from 100year+ old vines in La Crau on a sandy soil (only really shared by Rayas, La Crau and Pignan). There is no pumping over, it is what Bastien described as a tea-bag wine. The colour, as Grenache should be, is not too deep. There is an extremely elegant freshness to this wine. I just love the poise and balance, the slight white pepper but mainly the redder leafy fruits. Spot on. All this from a decent, but not more than that, vintage. I have some mags of 2010 but Bastien made me promise I will leave them for a while.

Côte Rôtie Vieilles Vignes 1999 en magnum drinking a wine that is special for a particular reason is always great. The reason this is such is that it was only made in magnum and never sold. It was only the 3rd time Bastien had drunk it! Only three times have they made a Vieilles Vignes Cote Rotie and this was just 300 magnums (2 barrels). There was a "normal" Cote Rotie 1999. The nose is just classical Cote Rotie, all bacon fat and dark spiced fruit. The palate had a more ferrous feel, a savoury bite that left you wanting more. I would say it is mature now, clearly it will continue to age but is spot on at the moment.

When it comes to planning dinners one of the trickier areas is the last course, especially if the producer in question is white or red wine dominated. Here we had a great option. The other "first world problem" is whether you have cheese or pudding first so we served a fortified red with cheese and pudding alongside each other.

Rasteau Vin Doux Naturel 2014 this was a production of just 600 bottles and 2014 was only the second time they had made this. The only Rhone village that has an official appellation for Vin Doux Naturel (or Rhone Port as we simplified it to on my table) is Rasteau. This village, 50 years ago, made almost exclusively VDN. The vines are 80 years old. There is an insane drinkability to this, I am delighted that I bought some. It is redder in fruit than Port, elegant, more drinkable in volume at an early stage, also "only" 17% rather than 20%. Splendid!

And that was it really...a thoroughly enjoyable evening, Bastien throwing great nuggets of information into the mix and everyone just getting stuck in. Wine as it should be...

Cantina Giacomo Conterno “Paulée” with Roberto Conterno

Back in May I made the annual trip to see Roberto Conterno and taste the new releases at Cantina Giacomo Conterno along with a few other wines (I love my job) you can read about that trip HERE.

One of the things we discussed with Roberto and his, ever helpful, assistant Stephanie was getting them over to London, this we finalised while we were out there, setting dates for July. They had a very busy time while they were here and I have briefly put notes at the bottom of this post about the wines we showed at a press lunch and a private customer dinner.

One of the main things I wanted to do, with not a hint of self interest you understand (much!), was to get some customers together for a small (we were 12 people) Paulee at 67 Pall Mall. The team there, headed by Gareth, did a great job with endless Zalto Burgundy glasses and lots of pouring.

The team in the kitchen did exactly as asked and came up with a simple and non-clashing menu as below. In the nicest possible way I don't think we even noticed the food much!

Fillet of beef Carpaccio, rocket, capers and sourdough croutons

Somerset organic spelt and girolle risotto

Fillet of beef Wellington with beef dripping roasties

Girolles on toast

People were asked to bring along a magnum or two bottles of a wine of Roberto's. I did a little bit of "steering" on the selections and we came up with a cracking combo.

As the guests assembled we started with some Wiston Blanc de Blancs 2010 which is drinking very well right now, a nice combination of zip and a little toastiness showing, the sort of thing I will regret not tucking a few bottles aside of to see what it is like in 5 years or so.

Flight 1 - "Nobody puts Barbera in the corner"
Ok so that's a naff title for a flight but as Roberto never tires of saying "you are not opening a bottle of Barbera or Barolo of even Monfortino...you are opening a bottle of CONTERNO". The Barberas are given every bit of love and attention that the Barolos are and I would say (well I would wouldn't I) that the Conterno Barberas are the most consistently high quality you will find anywhere. I wanted to use this as a chance to show not only the two sites but two different stages of evolution:

Barbera Cascina Francia 2008 - this is a wine I know very well, moreish and becoming more savoury, good mellow grip and dark but not deep fruit. There is a lot of balance here, pretty seamless. Quite serious as Francia always is.

Barbera Cerretta 2012 - this is, like 2008 above, from a cooler, more classically Nebbiolo vintage. The vibrancy of the violets and dark cherry fruit is superb. If I was to drink any Conterno without food as an "aperitif" it would be Cerretta Barbera. Cool stoney minerality seems to get in there too.

Flight 2 - two by two...
So this is a cracking way to get to know two sites. I was keen to show these as they are two different vintages and then the two sites. The site differences showed very clearly. The vintages did too but a little less so. I think this is often the case with great producers.

Barolo Cerretta 2010 Magnum - this is the first Barolo from the site, 2008 and 2009 both being released as Langhe Nebbiolo (the 2008 is stunning right now!). This has a super-charged feel, rich and fruited and with a big structure, there is density and concentration here, lusciousness even sucrosity. This will be fascinating to follow.

Barolo Cascina Francia 2010 Magnum - my note for this features the word "serious" twice. There is a density but this is a linear wine, with drive and poise. I like this a great deal, it is just as I would want it to be, introvert, saline, tight and proper.

Barolo Cerretta 2011 Magnum - this really typifies Cerretta for me, it is friendly and approachable, begs to be drunk. Sweetness and succulence. There is a very Nebbiolo character but also a warm vintage intensity. If you own this it would be a great shame not to try it in youth.

Barolo Cascina Francia 2011 Magnum - my note just starts "Superb wine". Delicious fruit, good grip and drive that makes this less overt than the Cerretta. Reassuringly savoury and grippy but with fruit that roles over the tannin, great balance to the nose, red, black, soil and salinity. You can really sense the input of what would have been the Monfortino barrel.

It was every bit as good a flight as I hoped, as expected the 2011s are showing more now but the 2010s would appear to have it all.

Flight 2

Flight 3 - One site, four vintages... 

If I was asked to name my favourite vineyard, from a pure drinking perspective it may very well be Cascina Francia. Now planted to 9hectares of Nebbiolo (to give you a perspective Clos de Tart is a little over 7 hectares and La Tache is around 5hectares) and 5hectares of Barbera.

Barolo Cascina Francia 2008 Magnum - I am a massive fan of 2008. I really feel that those who may have bought Barolo in 2004 and 2010 (the most lauded vintages) but not 2006 and 2008 have made a mistake. 2008 is a vintage of sweetness and elegant feminity but with no lack of classicism, 2006 is the older brother to 2008, grip and texture, a wine of sternness and complexity. Roberto was very interesting on the 2008 as a growing season mainly because there was a seven-day spell towards the end of September when the temperature fell to zero...this was about a month ahead of the Nebbiolo harvest. Somehow this seems to have left wines with less obvious tannin but no lack of complexity. This wine is a lovely example of Cascina Francia, fruited but not overly so, red bramble like hints with brine and leather grip in there.

Barolo Cascina Francia 1994 - this was "gone", badly stored I am guessing, like bovril and PX sherry then tobacco leaf. It is a wine I have had before, a few years ago, it is ok but not much more. In Roberto's own words "from 1995 it is pretty difficult to find bad vintages".

Barolo Cascina Francia 1990 - A wine I know pretty well and last had with Roberto when I visited back in May. It is also a wine I have had a few other times over the last 5 years. Saline, soy, degraded darker fruit and some bacon fat are real signatures of this wine. We did while tasting this superb wine get onto talking about 1989 vs 1990 and I remarked that I'd never had the 1989. There was also no Monfortino in 1989 which would seem odd for a vintage that many label as a comfortable 5stars. The reason is that only 4000 bottles of Barolo was made from the Cascina Francia vineyard due to a hailstorm. It remains I wine I crave to try.

Monfortino 1955 - now this is an experience and one I have had a couple of times before. Notably here during a splendid lunch. This was good showing. From 20 years (ok 19) before the Cascina Francia site was bought. Frazzles, bricky, briney nose with richness. There were a couple of funny conversations over this wine but the over-riding memory was that Roberto simply commented how totally ludicrous his predecessors would have found the idea of people in London enjoying this wine nearly 61 years after it was made!

Flight 4 - Mighty Monfortino...for now and for later...
Monfortino is an iconic wine in the correct sense of the word i.e. because it has proved itself to be a beacon for Barolo and not because the estate or someone in marketing department calls it such a thing. Iconic status can be difficult as it comes with expectation. I genuinely believe that the Monfortinos of the last 15 years (01, 02, 04, 05, 06, 08, 10 & 13*) are amongst the greatest. * The 2013 will be just Monfortino (i.e. no Barolo Cascina Francia), a move not seen since 2002. Simply put, the quality is that good.

Monfortino 2004 - one of only about 5 or 6 wines I have given a perfect or near perfect 20 out of 20 to. That was when I tasted it at the estate back in May 2011. It is a wine I have had a few times since and it is profoundly good. Such drive and persistence, grace and at the same time fathomless structure. It has red fruit as well, no deep dark monster just a great wine. I wouldn't change a thing about it.

Monfortino 1999 - a slightly volatile example compared to the ones that the note below refers to. The was good, rich and full with a lot of salinity.

Monfortino 1997 Magnum - This is a cracking example of a mature Monfortino. It has soy and a little ginger as well as nicely degraded fruits. Of the Monfortinos from the last 30 years this is the one to drink right now. I think it will age well but why would you?

Monfortino 1995 - This is a leaner vintage for me, not quite the round degraded elements that you can find in the 1997. A little stricter. I have a feeling it will make a good older wine, I have nothing but gut feel to base that on. 

It was a wonderful evening - to get the chance to sit and discuss this many wines with Roberto and hear the passion was incredible. I'll leave you with one comment from Roberto, said in the most heartfelt way imaginable "We do not make wines for other people, it is only in making wines for us that satisfy us, that we can be satisfied, that is what drives us".

All that really remains is, as ever, to thank Roberto (and Stephanie) for the time, energy and wonderful wines...I am looking forward to my next trip to the Langhe already!

A great nights work!

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Also in the same visit we hosted both a press lunch at the office and a dinner at Sartoria in Mayfair. On both occasions we showed the same four wines, my notes below:

Barbera Cerretta 2013, En Magnum - "Intensity" and "pleasure" are the watch words here. This is a great vintage for Barbera, expressive and rich but with the necessary acidity and focus. More extrovert than the 2012 mentioned above. To my taste this will be in the zone in 2-3 years. Very true to its site. 

Barolo Cascina Francia 2001 - Saline, salty, a zesty texture with bacon fat and soy, mellow fruits, some ginger appearing. This is just shifting from 3rd gear into 4th. Classical - 2001 being a serious vintage of intensity.

Monfortino 1999 - This is a very typical Monfortino for me, a vintage you "Chew", rich but vast, full and focused at the same time. Hard to write a note for actually. I have always liked this wine.

Barolo Cerretta 2011 - More clay here in this site and it shows there is a lusher texture. Notes from all three times (including the above) are very consistent. Vibrant energy.

Beppe Rinaldi...Brunate-Le Coste a vertical...

The first of a few posts I hope to nail today, a rather large, but good, backlog has built up. I was pretty knackered when this dinner came around but I was equally excited by both the prospect and the chance to see some of my very favourite wine folk - Eric, Mr Burns, Column, Mr Rafferty (jnr) and my favourite, but sadly on sabbatical, pumpkin chef!!

The venue was the Medlar Restaurant which is seeing a lot of action these days including these events. It came about through the wish to drink some Rinaldi, or Azienda Agricola Giuseppe Rinaldi to give it is full name, wines! Eric kindly co-ordinated this with Chris Delalonde at Medlar and everything was in place for a fun evening - expectation dangerously high.

To start, and after Burnsie had insisted on hugging everyone (is he really English), we had 
Louis Roederer Cristal 1999. It was an amusing choice as I had only been saying in the office that day that of the prestige Champagnes it is the one I see served least at wine dinners. It was mellow and a little honeyed but not OTT at all. More biscuity than nutty and with some citrus. If you had to be critical it could do with a dash more verve and length but that really is nitpicking, lovely.

Predictably we then all had the Crab Raviolo, Medlar's signature dish that has to be had. Alongside this we had Puligny-Montrachet 1er Cru Les Referts 2011 from Francois Carillon, here comes the usual bias warning but this is "a point" right now I think, in common with a lot of white Burgundy 2011s. A slight whiff of reduction  then easy yet rich fruit and lemon driven energy, a little spice on the finish...these two led us to the "work" at hand.

There are very few estates that I fearlessly buy totally "blind" - by this I mean I would buy more of these these Rinaldi wines than I can afford, at any chance I get. This doesn't mean to say they are all brilliantly faultless and perfect - wine isn't like that and arguably isn't meant to be. However, if I think of the top ten producer labels that lift the spirits immediately then this is one (others include - Soldera, Conterno, Coche, Rousseau, DRC, Chave etc - must do that list one day). I have only visited Rinaldi once but it was memorable in the extreme. Beppe's views and manor is well documented and long may it last. There will be a follow on to this post when we look at Barolo Cannubi S.Lorenzo-Ravera next month. The Rinaldi estate makes brilliant: Langhe Nebbiolo, Dolcetto, Barbera and Freisa but the focus tends to go to the two Barolo which I tried to explain at the end of the post here. Essentially from 2010 you can't have two Crus on the same label so in crude terms.

Barolo Brunate-Le Coste (65% Brunate and 35% Le Coste) has become (from and including 2010) Barolo Brunate (85%Brunate and 15% Le Coste) and...

Barolo Cannubi S.Lorenzo-Ravera (a blend of the two named Crus, sorry I don't know the rough balance) is now Barolo Tre Tini (a blend of Cannubi S.Lorenzo, Ravera and the remaining Le Coste that now can't now go in the Brunate).

To add some confusion there have been vintages when a Brunate alone has been made and also quite often the magnums have been pure Brunate (*see notes at end of post for clarity with thanks to Ken Vastola). Right, enough facts...the wines. We attacked them three by three, deciding not to work by age but my vintage type, often a more fun and logical way to do things.

Flight 1 - Brunate-Le Coste - The Warm vintages

1997 - A predictably more evolved and less pure colour than the others in the flight. Saline and deep fruit with some cucumber-water (sorry but I know what I mean). Spice and cherry fruit, deep, a shade powdery in texture which somehow works. Good. Perfect now, will last but in 5 more years will be old and whilst in 20 years it'll be interesting there is, for me, no real upside - enjoy now, degraded hedonism.

2003 - A little more cherry here and an almost candied note (that Monprivato and Cascina Francia both have in 2003 as well). There is a glycerol character here. If I had to draw a parallel with another producer in another region for this 2003 it would be Rayas, there is red fruited, Grenache like purity. When to drink is very tricky. If I had 12 bottles (as if!) I'd have drunk three by now, drink a bottle a year for the next six years or so, hold three just to see.

2007 - Tight, focussed, very fine, a shade muted on the nose, brilliantly saline on the palate. I know this wine quite well, a splendid 2007, does not show "warm" at all. Much as I would want to own more of this than any wine in the flight the 1997 is the wine I would drink most of right now. This is a 2007 to buy if you can find it!

Flight 2 - Brunate-Le Coste - The "should be a bit open" vintages.

Brunate Riserva 1986 - Ok so one of the exceptions I mentioned above and a wine I have had, and loved, once before in magnum also with Eric. A clouded texture, some frazzles and red fruit, degraded sweetness followed by a little bitterness. The mid-palate is a little quiet but the finish is super, a little herbal green drive at the end. Lovely. At it's peak.

2000 - A bit of a brute. The only wine in the first two flights where I thought this would be good alone but not in this company. It's a good wine, savoury and a bit adolescent right now. I feel I am being harsh but there is just a little sweetness missing. I'd love to try this again in 3-5 years.

2004 - Superb and universally the "wine of the night", not that one is needed. Power and poise, drive and precision. Not ready to show everything but is appreciably good. My note says "what wine is all about". Bold in density and structure but in no way too much. The nose is just sublime and the palate follows through. Don't open for 5 years I recon because if you do you will just drink the bottles you have.

Brunate-Le Coste - "Classic or closed?"

1999 - Bricky, salt and orange spice, very serious, delicious, good astringency, already in third gear, may be a little more open than I expected. Nervously classical. Hold but try every two years.

2001 - In Piedmont I have found quite a few 2001s to be just that bit too serious, too heavy. This is not one of them though Eric was a little disappointed in it. Savoury, serious and dense. Tight, a slightly soupy structure but a good savoury Bovril like finish, a real food wine (aren't they all). I would take the same drinking approach as the 1999.

2005 - I almost didn't mention this, we figured there was some labelling error with this bottle. The juice was not Nebbiolo and was more like 3-5 years old. Nice but not Nebbiolo...

1998 - This bottle was opened at the beginning of the evening and put to one side as it was a shade disappointing but we drank it again at the end and whilst it is a weak link and, on this showing, a lesser wine than the 1997 it is still true to the Nebbiolo grape if a little prematurely aged.

We had a most bizarre Champagne to finish and clearly the level of conversation deteriorated rapidly but then that that was to be expected.

Conclusions, or what auditors always refer to as the "opinion piece". My feelings about this estate are unchanged...I will keep buying. There is so much character to these wines, a lack of compromise that I love. Is there more precision (in the same period of vintages), elsewhere in Piedmont? Yes for sure...but is better always actually better? The daughters are having more and more input and the precision is being refined. Recent bottles from 2008 and 2011 were simply stunning, moreish and intense without being in any way remotely a waste to drink now.

An iconic man? Yes. Iconic wines? They probably are but the thing is, I am not sure they want to be...drink them whenever you can.

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*The labeling of Brunate with Le Coste  began with the 1993 vintage, when Beppe took over the winery from his father, Battista.  It was Battista  who (in the best vintages) bottled Brunate separately (and usually as a riserva) starting in 1964.  I think, but am not sure, that some Le Coste may have been in those old Brunates as well. Ken Vastola 
www.finewinegeek.com

Barolo threeways in France - three producers and three vintages...

In the same vein as the last blog - Chablis 1er Cru Vaillons threeways - I took a few bottles of Barolo with me on holiday and decided that opening them all together was the way forward...

The trio di Barolo...

The three wines are ones I know well and that I buy every vintage:

Marcarini - is a slightly more commercial producer that the other two who could be classed as artisanal and cult in similar ways. All are traditional in terms of their non-use of new oak but there are differences too. Marcarini also makes a La Serra which, to me, is a little less structured but good.

Bartolo Mascarello - A producer whose wines I have loved for a while, old bottles can be variable but from 2005 I believe these are firmly at the top of the tree. The 2005 and 2008 being exceptional in vintages (especially 2005) where not everyone shone. The attitude is traditional in wood use but also the blending of vineyards (Cannubi - San Lorenzo , Rue and Rocche di La Morra - as per the label). Ken Vastola's site - www.finewinegeek.com - has a great section on Bartolo - info can be found here.

Cappellano - My experience is a little less here than the others but both the Pie Rupestris and Pie Franco are serious. Whenever I have had the wines I have found them to be powerfully poised and elegant as well as built to last. The same site as above has Cappellano info HERE. The Chinato is not to be overlooked if you can find it!

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"Protocol" - all wines were cool and just opened and tasted (PNP = popped 'n' poured). Then double decanted (DD) before the second tasting and thereafter served from bottle nice and cool.

Barolo Brunate 2004, Marcarini

PNP - Clean, heady, slightly spiced nose with red fruits and some black backbone. Full, rich and intense. The palate is more structured and drier. Quite bold structure and good grip, nice tannins that are big but not hard, good length. Good wine.

Post DD + 2 hours - Still a little heady and hi-toned, good though. This is a wine that is not either young or mature and possibly suffers as a result. The tannins are certainly the boldest of the three. This is good, very good even, but not stacking up on pure quality with the other two.

20 hours after first opening - Holding up very well and whilst still a little "hi" it has a good balance of fruit and tannin with nice acidity. I think I'll try to leave the last bottles and a magnum of this that I have for at least 5 years, as I feel it will age very well and mellowness might be a good thing. 19/25.

Barolo Pie Rupestris 2008, Cappellano

PNP - Clean, more animal than the Marcarini. Richness? Yes, but also with lovely farmyard character but then more leather aromas, tea and lots of complexity. The fruit is nicely bruised in places, the acidity is more a feature of the wine than the tannin, which is there, but not overpowering. Nice start.

Post DD + 2 hours - Very good, somewhere between the other two in terms of profile, not the fruit purity of the Bartolo, not the tannin of the Marcarini. The sweet leather and tan element are superb, the fruit has tightened up a bit, clearly young but with an old soul. I like this, for the purists for sure.

20 hours after first opening - Lovely lifted nose, still on the leather side but also cured meats and saline, a serious wine that has good degraded sweetness and a great ability to age, I foresee this being a tertiary style of wine. Despite all these "animal" descriptors there is a red berry fruit lurking as well. Really lovely. 20-21+/25

Barolo 2009, Bartolo Mascarello

PNP - Such lovely poise, this has real precision and is more on the fruit than the others, there is a little spice there, the palate is a little softer and lighter but still true, this smacks of a tender attitude to a vintage that is not a blockbuster, good start.

Post DD + 2 hours - This saw comfortably the biggest change of the wines, the elegant but slightly scrawny, almost light red fruit has gone, replaced by a darker, sweeter and fuller character. I hate lazy analogies of red Burgundy but here's one coming; it is like a lesser vintage Volnay that has turned into a young Morey-Saint-Denis from a great year. The only possible criticism I might be able to make is that it is not so obviously Barolo. The wine is just a different animal post the double-decant and time.  

20 hours after first opening - The only wine to be tighter now than after DD+2hours, the nose is classy but a touch subdued, the extravagance of the second tasting has gone on the nose but there is a lovely rich tarry-ness to the palate with a good, marked acidity too. Somehow it is less of a showstopper now but more of a Barolo. 21-22/25

Conclusion: This was a really fun way to do things and I look forward to just drinking the last third of each later without making notes. The styles are different as well as the vintages. I will certainly continue to buy all three.

Soldera 1981-2006 courtesy of Vinous

This was a brilliant Vinous dinner tasting on April 27, 2016 led by Antonio Galloni, it was surely one of the most historically significant vertical tastings of Gianfranco Soldera’s Brunellos ever staged. It followed a similar format to the incredible Monfortino Magnums 1970-2006 event also hosted by Vinous at Maze. The menu, below, was expertly put together by Executive Chef Matt Pickop with the service orchestrated by Head Sommelier Arnaud Bardary.

In a point made by Antonio at both events the food was deliberately non Italian. This being the case as the wines should be seen in the overall context of superb wines rather than "just" Italian wines.

I know these wines well and was so very excited about this great dinner. A few other posts on the wines and the people (person!) behind them can be found here:Visits to Case Basse and experiences with the wines.

We started the evening with a glass of the Salon 2004 - my write-up of the Launch - which always sets the scene well, a little saline, nicely poised and almost in Grand Cru Chablis in taste profile.

Menu

Amuse Bouche

Cumbrian Beef Tataki, Smoked Ponzu

Roast Turbot, Orzo, Mussels, Saffron Sauce

Duck Breats, Truffle, Endives, Chanterelle Mushrooms

Saddle of Herdwick Lamb, Spiced Aubergine, Raw Vegetables

Selection of Cheeses

Flight 1 - The Early Years: Most of the wines were opened in the afternoon, Antonio did wait though, until just about an hour before dinner for the 1981 and 1987. He thought the wines might be a little delicate but he needn't have worried. All these four wines came from the very same vineyard - Intistieti. There are two vineyards - Intistieti and Case Basse but you can drive yourself mad trying to get 100% on top of what goes where and when. Essentially, nowadays, there is one wine. The best place for more info is this bit of the Vinous site.

1981 - Lovely colour, lighter on the rim and browner at the core. A little grainy volatility. Bright fresh, ferrous and opulent all that the same time. Vibrancy always there, elegant, gentle palate, a little ginger note too, great start. Has no right to be this good really.

1982 - More even colour from rim to core here but overall a shade lighter. More degraded nose, more bricky, more mature Nebbiolo-like to my mind. Lovely lively acidity, moreish finish and repays time in the glass. Very proper and complete.

1987 - Good, firmer colour. A little woodier, though not from wood itself, there is elegance, a lighter more fragile palate. Given the year this is superb. I think I may have had a slightly less clean glass that my neighbour whose glass showed a little more. On an evening of 100's of glasses this is bound to happen.

1988 - Transparent, slight bovril colour but bright. Exuberantly brilliant nose, high toned with a hint of "fishermans friends" (which I love). Extravagant, eucalyptus, resinous, has a medicinal concentration, herbal, an element here reminds me of Chinato. Just wonderful.

Flight 2 - Sleeper Vintages: I always love to see some younger vintages in these sorts of tastings as it really adds perspective. The 2006 comes later. The 2007 is minute and the 2008 and 2009 have not been bottled for very long.

2000 Riserva - A little whiff of volatility but it passes. Redder core in colour terms. Only a dash of colour change on the outer rim. This is airy, breezy, saline and juicy all at the same time. There is richness on the palate that contrasts, but doesn't clash with, the nose. Terrific.

2003 Riserva - Colour like the 2000 but may be a shade redder still. Berry fruit and a leathery animal undertone. There are some herbs and good richness. You don't feel the heat of the growing season but there is a sense of smaller more intense berries. This is elegant as well as quite bold, delicious and nicely decadent.

2005 Riserva - This is from Intistieti only. The fruit from Case Basse went into Pegasos. There is a pale yet vibrant colour here. There is a distinct note that I have often found on the 2006 as well and it is of washed beef and/or carpaccio - it is a very distinct thing, I like it, it's like a meaty salinity. Then there is a strawberry fruit character which makes you think of fresh and lovely pinot noir. The weightless elegance is quite something as is the sweetness. I feel this will gain weight and intensity and is incredibly promising.

Flight 3 - The Mid 1990s: This flight was a tasting in itself...

1993 Riserva - This is a vintage that Gianfranco Soldera likes very much for drinking now. A superb colour then a stony minerality on the nose and then vibrancy. The palate has some grip but also a linear focus. The texture is then more rich with an almost toffeed edge. Just lovely.


1994 Riserva - Monica Soldera (Gianfranco's daughter) is a massive fan of this vintage for now. This has good colour from core to rim. It is slightly herbal, very fine with a gentle persistence, it gained weight and structure with time and is something of a hidden gem.

AG decided at the last minute to add the "Case Basse" Riserva next to the "Intistieti" Riserva for the purposes of comparison. The bottles can be seen above. This is not done today despite the fact that the wine is still bottled botti by botti and essentially what the above labels show is what happens now just without the identification.

1995 Riserva Intistieti - Translucent yet rich, darker colour. A fuller palate than many so far, a richer more masculine wine. There is a balancing savoury side of leather and a little mellow tobacco.

1995 Riserva Case Basse - This is also a richer wine than many but not with the fruit intensity of the Intistieti bottling. There is a lightly more pronounced secondary side. Good.

1996 Riserva - Very clear if developed colour. The nose has a soy element to it but with sweetness, a wine of degraded brown sweetness rather than red fruit. This is strict and very 1996 in character, masculine but a man in a suit not casual clothes. Sweetly savoury and very moreish...super.

Flight 4 - Reference Points: I got myself in a right old mess trying to score the wines in this whole dinner. I gave up in the end. In this flight everything was 18.5 out of 20 and above. Staggering quality

1997 Riserva - Good mid colour, degraded sweetness and richness. Lovely decay but without any premature ageing. Extravagant rich palate with good grip and a red fruited character coming through. White pepper shows too. Wonderful.

1999 Riserva - So classically brilliant. Meaty, good colour, like the cold washed meat of the 2005. Savoury and masculine with a bold yet totally resolved structure. A big chap! There is a dash of saline to the finish, intense, serious and nicely uncompromising. 

2001 Riserva - Slightly lighter colour, good clarity, so complete, very special. Not that extrovert but so balanced so moreish. This is grippy and serious, a wine demanding more time but with so much to give, almost muted but showing enough. Serious.

2004 Riserva - Richer fuller colour. Outlandishly vibrant red fruits, washed meat, berries and intense freshness, so gorgeous that it is hard to write a note for this. What's not to like. So full yet so focused, so fruited yet so intense. Immensely good.

Flight 5 - The Icons: The title here implies we might not have had any icons yet which frankly is ludicrous and we'd had at least 5!

Why the two 1983's? Well, to quote AG directly, baring the bits in brackets "In 1983, Soldera bottled two Brunellos - one a straight Brunello (Stainless steel and with temperature controlled), the other a Riserva (traditional production) - that were essentially essays on different approaches to vinification. We tasted them both, from magnum."

1983 magnum - Fullish colour and delicious nose, decent richness but also a toastiness. Some good grip, a savoury side too. I put that it has a slightly less complete feel but scored it highly (18+?) as it is clearly a very good wine. 

1983 Riserva magnum - Fuller, richer colour, a little fuller of fruit too, more depth to it but may be not the precision of the non Reserva.

1990 Riserva - This is thought to be the first vintage with the Case Basse in it as well as Intistieti. It is a wine I have had once before and and whilst labeling a wine as one of the all time greats is dangerous I think it is almost impossible not to with this wine. There is a savoury sweetness and a weightless intensity that makes this special even in this stunning company. I firmly feel the 1999, 2001, 2004 and 2006 and possibly several others are as brilliant and potential peers but will they do what this wine has done? This has fruit, darker than many, saline from seaweed, degraded tobacco and soy, intensity and elegance. Wonderful.

2006 Riserva - AG commented that "The 2006 is a rock star" and I totally see where he is coming from. It is the Soldera wine I know, comfortably, the best. For me it is the best single example of how wonderful, and different from what many people think, Sangiovese can be. It does have the wet meat note as well as both red (always been there) and darker (just appearing) fruits. There is richness but also lift, the savoury side will come later. Persistence, drive and elegance are the watch words here as ever.

Conclusions:
I came to this dinner with high expectations (always dangerous) but a possible feeling that the older wines may be a little hit and miss and that the younger wines would be where the excitement lies. I think the overall consistency and balance was staggering. The mature wines were a delight. The wines produced since 1999 are so incredibly brilliant though that I can't help but think that this estate is still evolving and is still so clearly on the up. This is born out by the fact that the two vineyards, which run up against each other, are amongst the most monitored and studied of any anywhere.

Brilliant - well done Vinous and more than well done Gianfranco...

Amuse bouche

Cumbrian beef tataki, smoked ponzu.

Roast turbot, orzo, mussels, saffron sauce.

Duck breast, truffle, endives, chanterelle mushrooms.

Saddle of Herdwick lamb, spiced aubergine, raw vegetables.

Bonnes Mares de Vogue 1949 - 1999

Very few Domaines need as little introduction as Domaine de Vogüé. Dating back to the 15th century it has been under the same ownership for 20 generations. The general manager, Jean-Luc Pepin, was in attendance to host the evening with Jordi (to whom so many thanks as ever) in a unique retrospective of the Domaine's Bonnes Mares. Even Jean-Luc has never done so extensive a tasting of Bonnes Mares as this. I must declare my bias here as I work for the UK agent of this great Domaine. The bottles for this tasting were all bought by Jordi over the course of 6 or 7 years with as little research as is possible. 

Ready for battle...

By way of a little background I found this: de Vogue Bonnes Mares - Terroir insight by Wine Hog which I think is a good overview and includes a good map (love a map me!). The one analogy Adam used that Jean-Luc liked and re-uses is that you "would want Bonnes Mares on your side in a fight"...

To kick off as people gathered we had Philipponnat Clos de Goisses 2004 en magnum - A shade reduced, a little cocoa bean and reduction on the nose like a late release Champagne. A food Champagne was how I view this, vinous and rich with good texture and enough life.

A very good appetiser for what lay ahead... 

The team at the square did a good job with the food, all of which was a high standard but importantly played a good second fiddle to the wine. Nothing over powering and the service worked well as there was no over emphasis on trying to match things. A flight of wines was poured, into not overly big glasses (a good thing), then the food followed. The menu is below:

Amuse Bouche

Crisp Milk Fed Veal Sweetbreads with New Season’s Wet Garlic,

Violet Artichokes and Preserved Lemon

Slow Cooked Fillet of Cod with Purple Sprouting Broccoli, Smoked Anchovy and Red Wine

Roast Organic Guinea Hen with Smoked Sausage of the Leg, Creamed Morels, Provencal White Asparagus and Roasting Juices

Cheese

So now it was time to get going:

"Modern" vintages

Modern vintages: These tastings always focus on vintages that are mature or at the very least maturing. Whilst this started with the 1999 I have heard good things about the 2000 and had the 2001 recently at a cracking dinner in St.Emilion and it's delicious...this was a stunning flight.

1999 - Pure colour, actually the colours in the first two flights were very consistent, with a tiny bit of development. Lovely fresh mulled red fruits on the nose. This is the only wine on the evening that was most certainly primary. Really good balance and density, a shade reduced and a little hint of cheesecloth, sweet berry fruit on finish. Very promising.

1996 - Good colour and clarity. A little pine-like spice, richness on the nose, palate good but a shade drier, quite taut and serious. Some sweetness. There is a very "1996 like" sternness. I like this and would like to drink a bottle, it isn't showey enough to standout in a tasting like this but is good.

1993 - A slightly deeper colour, deliciously sweet and succulent, not just red fruit on the palate, good depth, a shade of clementine and tangerine. This is a little bigger than some of the 1993's I've had. Delicious and certainly still loosening up and improving! Very fine.

1990 - Good colour, pure, delicious, opulent, decadent, this is a little degraded. It doesn't quite have the poise and focus of the 1993 or 1999 but has an easy appeal of obviously being good....very 1990-ish 

1989 - A shade lighter in colour but so bright and so clean. A shade of animal character just showing a little more a maturity. Pure and lovely sweet fruit, really delicious, this is a feminine and sweet, poised wine. A little herbaceousness certainly, this is, on this showing, a classier and more refined wine than the good, but more brutish 1990. Special.

1988 - A shade more evolved, a dash more texture, almost a slightly chalky, powdered feel. At the same time it is very moreish and a little saline, the note doesn't seem "glowing" but this is good and a little like the 1996 in being very typical of the vintage.

The classics

Classic vintages: A dangerous title given that it raises expectation.

1985 - Paler and lighter in colour but so clear and clean. A little development but such profound sweetness, a lovely greenness that gives energy. This is a really super wine, focus but generous, rich but not remotely weighty. Special, graceful, perfect now.

1979 - Bright, clean and lean. This is in a similar style to the 1985, it remained remarkably consistent in the glass, not budging an inch. Great persistence and poise. Lovely.  

1978 - Slightly less clear as a colour. More texture, a little more degraded but at the same time saline, this is bigger and bolder than anything else going back to the 1990. Opulent and generous. Nicely a little vulgar.

1976 - More red to the colour here. This is very deep and quite resinous. Serious and with really decadent richness and opulence. There is a sense of the hot and dry season but not of burnt fruit. The image is one of small intense berries. Very good indeed.

1970 - A shade orange in colour, clear madeirisation, the palate initially had a dash of sweetness but ultimately this is not right.

1967 - This has a little madeirsation but whilst the 1970 does not appear to be representative I think this probably is as 1967 is just very tricky.

Illustrious indeed!

Illustrious vintages of the George de Vogüé era:

1966 - Sensational wine this. Good colour, lovely saline, some smoke and generosity but also focus. Rose petals and delicate aromas, a little like the 1985 in character but with even more to give. Staggeringly good.

1964 - Slightly frazzled, degraded even, then a little fruit and some sweetness but ultimately this is not in perfect condition.

1962 - Delicious, seriously giving the 1966 a run for its money. Herbs, cocoa bean and then some spices before a little coffee but all with good intensity. There is an element of the 1976 character here. Special.

1959 - Clean bright colour, some decaying fruit, clinging on a little. Interesting.

1953 - Sweet decay, a slightly milky texture, this actually got a little better with air which was unexpected.

1949 - Smells a little herbal, almost minty with some saline too, a shade powdery in texture. This is interesting and not dead if a shadow of what it probably once was.

The last flight!

Musigny Blanc mystery vintage - So this had to be 1994 or older as the white has been named Bourgogne Blanc since, knowing Jordi it could well have been much older. There was a grapefruit character and some citrus. To me there was an almost Chablis like quality. Clearly very little new oak. It was impressive and enjoyably pure too but I really needed to know what it was. One of our number got it bang on saying it reminded him of another white of the same vintage - Corton-Charlemagne from Bonneau du Martray - it was the 1987 vintage.

Fonseca 1963 followed on and was lovely, a little volatile, slightly raisin like. The marzipan character was there but in perfect balance with the succulent dried fruits. Another reminder, as in the last post, that we really should drink more good port.

Jordi, in a fit of generosity, then opened two more bottles both of vintages we had had earlier - 1976 and 1953. The 1976 was a fresher bottle, insanely so. The previous bottle was superb and what you would hope it would be in terms of maturity. This bottle tasted more like the 1993 than any other wine of the night, amazing really. The 1953 was a more lively bottle, showing more fruit and a little more balance...

All in all a stunning evening, a really good group, everyone's expectations were surpassed. What we learnt I think is that Bonnes Mares from de Vogue is more that capable of Red Burgundy of the highest order and is not to be underestimated. Also that whilst the de Vogue style is one that repays cellaring this has been exaggerated...I look forward to many more vintages in the future.

Thank you Jordi and thank you Jean-Luc for your insights!

Amouse Bouche

Crisp Milk Fed Veal Sweetbreads with New Season’s Wet Garlic,

Violet Artichokes and Preserved Lemon

Slow Cooked Fillet of Cod with Purple Sprouting Broccoli, Smoked Anchovy and Red Wine

Roast Organic Guinea Hen with Smoked Sausage of the Leg, Creamed Morels, Provencal White Asparagus and Roasting Juices