Showing posts with label 1993. Show all posts
Showing posts with label 1993. Show all posts

Saturday, 10 September 2016

Newcastle with "Newcastle" & "Halifax"

If you look back through this blog there are many people I have been very privileged to drink a lot of great wine with…right up there (easily in "Europe" and probably fighting for the title are two gentlemen who go by the monikers on here of "Newcastle" and "Halifax". Last week I made the remarkably easy - this could become a dangerous habit - trip to Newcastle for a cracking dinner. Both gents were joined by their splendid other halves and much fun was had, as much with the wine as the chat - rugby, racing, golf etc...
We were very well looked after by the team at 21 Newcastle with a lovely menu of; Lobster, Turbot, Beef and Cheeses. The scene need some setting so a few G&T's were used to hydrate before we made our way to the table.
Salon 1988 was a lovely starting place, fully mature now (like some of us) with a orange-rind and yeasty richness, interestingly this got fresher in glass with a bit of air. Salon is always a very vinous Champagne and so it was here, this reminded me a little of a recent bottle of 1983 mentioned at the end of this post. The slightly oxidative and powder elements gave way to freshness. Its an interesting Salon as it is the only one where malolactic fermentation started what makes it more widely interesting is that it never completed.
Next up with the lovely Lobster dish and then a cracking bit of turbot was, that rarest of beasts, a "double monty" with Ramonet and DRC on display. Montrachet 2002 from Ramonet is one of those wines you know you will not get to drink more than once unless your very lucky. I have a little experience of the wines from Ramonet now and love the style. I like to think it is a touch individual, stem ginger seeming to be a bit of a signature. This was a big wine, though I don't know for sure, but I would say both this and the 1986 that followed had a good bit of that Montrachet botrytis richness. We choose, wisely I think, to have this 2002 decanted. It has a slight toffee aroma to start, this coming from the richness and the oak but with only a tiny bit of air the ginger started to come out as did layer upon layer of rich fruit. Absolutely cracking and greater and greater with air, some wine. From there we were onto Montrachet 1986 from DRC. I am lucky to try Montrachet from DRC on release each year and through others generosity to have had it a few times with some age but I have never had the 1986 or even a vintage within 4 or 5 years of that. It was instantly a good bottle. We decided there was no need to decant this. The full textural richness was perfect again the totally mature, decadent fruit, really lovely balanced, a wine you couldn't help but wallow in really. We tried to keen a little bit of each going for a while to try alongside the reds. They were both more just great wines rather than great white wines if that makes any sense.


Time for red now as a vast amount of beef appeared. Soldera 2008 kicked us off, I am biased but this is one hell of an estate. Visits to Soldera are always magical, controversial, inspiring and never dull. I find the wine so easy to enjoy but at the same time as wonderfully complex, as much as the man who makes it. Like so many of the great mono-varietal red wines (Burgundy and Barolo spring to mind but others too) it strikes me as such an error to not enjoy these wines young as well as with age. There is always a note of wet meat (just think of how great raw cool beef smells) as well as a floral red fruit edge before a darker core. Yum!

The next red was Volnay Santenots du Milieu 1993 from Lafon, a great wine to get to try but (and sorry there is a "but") it was just a little overshadowed in this league. Now, I can hear a few readers here saying "it's not a wine Will sells" and they are correct, but I like to think bias and all, I say what I think. This was a good medium weight wine with good balance, well made, nice nose, the "but" and it was the same when I did a tasting - Burgundy pairs 2009 and 2010 - with trade mates a while back is all round whether it is Volnay. I think Lafon makes seriously great whites in many different years and with a great richness. The estate doesn't seem to make great reds, good yes, but true to the Volnay elegance? This is nothing new, D'Angerville and Lafarge are producers I love and they make great Volnay but never hit the heights with the whites they make, nice though they often are. Anne-Claude Leflaive gave up making red…it is just not an easy thing - to do both. Comments welcome on my thoughts here…I can't make red of white so I am a fine one to talk!

So to the last red - Latour 1964 - now this is Pauillac and so mighty fine. Rich but not remotely heavy, blacker fruit but with iron and power, absolutely perfect now. May be tasting a little younger than 52 years but so graceful, so Latour. The only vintage, as we discussed, that you might have confused it with is Latour's very good 1970. It was everything to should have been and frankly so was the whole evening, lots of wine, great chat, a chance to catch up and to laugh.

No evening would ever be complete with a few Negronis would it…chaps, and ladies, I thank you…until next time!

Thursday, 2 June 2016

Soldera 1981-2006 courtesy of Vinous

This was a brilliant Vinous dinner tasting on April 27, 2016 led by Antonio Galloni, it was surely one of the most historically significant vertical tastings of Gianfranco Soldera’s Brunellos ever staged. It followed a similar format to the incredible Monfortino Magnums 1970-2006 event also hosted by Vinous at Maze. The menu, below, was expertly put together by Executive Chef Matt Pickop with the service orchestrated by Head Sommelier Arnaud Bardary.

In a point made by Antonio at both events the food was deliberately non Italian. This being the case as the wines should be seen in the overall context of superb wines rather than "just" Italian wines.

I know these wines well and was so very excited about this great dinner. A few other posts on the wines and the people (person!) behind them can be found here:Visits to Case Basse and experiences with the wines.


We started the evening with a glass of the Salon 2004 - my write-up of the Launch - which always sets the scene well, a little saline, nicely poised and almost in Grand Cru Chablis in taste profile.
Menu
Amuse Bouche

Cumbrian Beef Tataki, Smoked Ponzu

Roast Turbot, Orzo, Mussels, Saffron Sauce

Duck Breats, Truffle, Endives, Chanterelle Mushrooms

Saddle of Herdwick Lamb, Spiced Aubergine, Raw Vegetables

Selection of Cheeses

Flight 1 - The Early Years: Most of the wines were opened in the afternoon, Antonio did wait though, until just about an hour before dinner for the 1981 and 1987. He thought the wines might be a little delicate but he needn't have worried. All these four wines came from the very same vineyard - Intistieti. There are two vineyards - Intistieti and Case Basse but you can drive yourself mad trying to get 100% on top of what goes where and when. Essentially, nowadays, there is one wine. The best place for more info is this bit of the Vinous site.

1981 - Lovely colour, lighter on the rim and browner at the core. A little grainy volatility. Bright fresh, ferrous and opulent all that the same time. Vibrancy always there, elegant, gentle palate, a little ginger note too, great start. Has no right to be this good really.

1982 - More even colour from rim to core here but overall a shade lighter. More degraded nose, more bricky, more mature Nebbiolo-like to my mind. Lovely lively acidity, moreish finish and repays time in the glass. Very proper and complete.

1987 - Good, firmer colour. A little woodier, though not from wood itself, there is elegance, a lighter more fragile palate. Given the year this is superb. I think I may have had a slightly less clean glass that my neighbour whose glass showed a little more. On an evening of 100's of glasses this is bound to happen.

1988 - Transparent, slight bovril colour but bright. Exuberantly brilliant nose, high toned with a hint of "fishermans friends" (which I love). Extravagant, eucalyptus, resinous, has a medicinal concentration, herbal, an element here reminds me of Chinato. Just wonderful.

Flight 2 - Sleeper Vintages: I always love to see some younger vintages in these sorts of tastings as it really adds perspective. The 2006 comes later. The 2007 is minute and the 2008 and 2009 have not been bottled for very long.

2000 Riserva - A little whiff of volatility but it passes. Redder core in colour terms. Only a dash of colour change on the outer rim. This is airy, breezy, saline and juicy all at the same time. There is richness on the palate that contrasts, but doesn't clash with, the nose. Terrific.

2003 Riserva - Colour like the 2000 but may be a shade redder still. Berry fruit and a leathery animal undertone. There are some herbs and good richness. You don't feel the heat of the growing season but there is a sense of smaller more intense berries. This is elegant as well as quite bold, delicious and nicely decadent.

2005 Riserva - This is from Intistieti only. The fruit from Case Basse went into Pegasos. There is a pale yet vibrant colour here. There is a distinct note that I have often found on the 2006 as well and it is of washed beef and/or carpaccio - it is a very distinct thing, I like it, it's like a meaty salinity. Then there is a strawberry fruit character which makes you think of fresh and lovely pinot noir. The weightless elegance is quite something as is the sweetness. I feel this will gain weight and intensity and is incredibly promising.

Flight 3 - The Mid 1990s: This flight was a tasting in itself...


1993 Riserva - This is a vintage that Gianfranco Soldera likes very much for drinking now. A superb colour then a stony minerality on the nose and then vibrancy. The palate has some grip but also a linear focus. The texture is then more rich with an almost toffeed edge. Just lovely.


1994 Riserva - Monica Soldera (Gianfranco's daughter) is a massive fan of this vintage for now. This has good colour from core to rim. It is slightly herbal, very fine with a gentle persistence, it gained weight and structure with time and is something of a hidden gem.
AG decided at the last minute to add the "Case Basse" Riserva next to the "Intistieti" Riserva for the purposes of comparison. The bottles can be seen above. This is not done today despite the fact that the wine is still bottled botti by botti and essentially what the above labels show is what happens now just without the identification.

1995 Riserva Intistieti - Translucent yet rich, darker colour. A fuller palate than many so far, a richer more masculine wine. There is a balancing savoury side of leather and a little mellow tobacco.

1995 Riserva Case Basse - This is also a richer wine than many but not with the fruit intensity of the Intistieti bottling. There is a lightly more pronounced secondary side. Good.

1996 Riserva - Very clear if developed colour. The nose has a soy element to it but with sweetness, a wine of degraded brown sweetness rather than red fruit. This is strict and very 1996 in character, masculine but a man in a suit not casual clothes. Sweetly savoury and very moreish...super.

Flight 4 - Reference Points: I got myself in a right old mess trying to score the wines in this whole dinner. I gave up in the end. In this flight everything was 18.5 out of 20 and above. Staggering quality


1997 Riserva - Good mid colour, degraded sweetness and richness. Lovely decay but without any premature ageing. Extravagant rich palate with good grip and a red fruited character coming through. White pepper shows too. Wonderful.

1999 Riserva - So classically brilliant. Meaty, good colour, like the cold washed meat of the 2005. Savoury and masculine with a bold yet totally resolved structure. A big chap! There is a dash of saline to the finish, intense, serious and nicely uncompromising. 

2001 Riserva - Slightly lighter colour, good clarity, so complete, very special. Not that extrovert but so balanced so moreish. This is grippy and serious, a wine demanding more time but with so much to give, almost muted but showing enough. Serious.

2004 Riserva - Richer fuller colour. Outlandishly vibrant red fruits, washed meat, berries and intense freshness, so gorgeous that it is hard to write a note for this. What's not to like. So full yet so focused, so fruited yet so intense. Immensely good.

Flight 5 - The Icons: The title here implies we might not have had any icons yet which frankly is ludicrous and we'd had at least 5!


Why the two 1983's? Well, to quote AG directly, baring the bits in brackets "In 1983, Soldera bottled two Brunellos - one a straight Brunello (Stainless steel and with temperature controlled), the other a Riserva (traditional production) - that were essentially essays on different approaches to vinification. We tasted them both, from magnum."

1983 magnum - Fullish colour and delicious nose, decent richness but also a toastiness. Some good grip, a savoury side too. I put that it has a slightly less complete feel but scored it highly (18+?) as it is clearly a very good wine. 

1983 Riserva magnum - Fuller, richer colour, a little fuller of fruit too, more depth to it but may be not the precision of the non Reserva.

1990 Riserva - This is thought to be the first vintage with the Case Basse in it as well as Intistieti. It is a wine I have had once before and and whilst labeling a wine as one of the all time greats is dangerous I think it is almost impossible not to with this wine. There is a savoury sweetness and a weightless intensity that makes this special even in this stunning company. I firmly feel the 1999, 2001, 2004 and 2006 and possibly several others are as brilliant and potential peers but will they do what this wine has done? This has fruit, darker than many, saline from seaweed, degraded tobacco and soy, intensity and elegance. Wonderful.

2006 Riserva - AG commented that "The 2006 is a rock star" and I totally see where he is coming from. It is the Soldera wine I know, comfortably, the best. For me it is the best single example of how wonderful, and different from what many people think, Sangiovese can be. It does have the wet meat note as well as both red (always been there) and darker (just appearing) fruits. There is richness but also lift, the savoury side will come later. Persistence, drive and elegance are the watch words here as ever.

Conclusions:
I came to this dinner with high expectations (always dangerous) but a possible feeling that the older wines may be a little hit and miss and that the younger wines would be where the excitement lies. I think the overall consistency and balance was staggering. The mature wines were a delight. The wines produced since 1999 are so incredibly brilliant though that I can't help but think that this estate is still evolving and is still so clearly on the up. This is born out by the fact that the two vineyards, which run up against each other, are amongst the most monitored and studied of any anywhere.

Brilliant - well done Vinous and more than well done Gianfranco...
Amuse bouche
Cumbrian beef tataki, smoked ponzu.
Roast turbot, orzo, mussels, saffron sauce.
Duck breast, truffle, endives, chanterelle mushrooms.
Saddle of Herdwick lamb, spiced aubergine, raw vegetables.

Tuesday, 31 May 2016

Bonnes Mares de Vogue 1949 - 1999

Very few Domaines need as little introduction as Domaine de Vogüé. Dating back to the 15th century it has been under the same ownership for 20 generations. The general manager, Jean-Luc Pepin, was in attendance to host the evening with Jordi (to whom so many thanks as ever) in a unique retrospective of the Domaine's Bonnes Mares. Even Jean-Luc has never done so extensive a tasting of Bonnes Mares as this. I must declare my bias here as I work for the UK agent of this great Domaine. The bottles for this tasting were all bought by Jordi over the course of 6 or 7 years with as little research as is possible. 
Ready for battle...
By way of a little background I found this: de Vogue Bonnes Mares - Terroir insight by Wine Hog which I think is a good overview and includes a good map (love a map me!). The one analogy Adam used that Jean-Luc liked and re-uses is that you "would want Bonnes Mares on your side in a fight"...

To kick off as people gathered we had Philipponnat Clos de Goisses 2004 en magnum - A shade reduced, a little cocoa bean and reduction on the nose like a late release Champagne. A food Champagne was how I view this, vinous and rich with good texture and enough life.
A very good appetiser for what lay ahead... 
The team at the square did a good job with the food, all of which was a high standard but importantly played a good second fiddle to the wine. Nothing over powering and the service worked well as there was no over emphasis on trying to match things. A flight of wines was poured, into not overly big glasses (a good thing), then the food followed. The menu is below:

Amuse Bouche

Crisp Milk Fed Veal Sweetbreads with New Season’s Wet Garlic,

Violet Artichokes and Preserved Lemon

Slow Cooked Fillet of Cod with Purple Sprouting Broccoli, Smoked Anchovy and Red Wine

Roast Organic Guinea Hen with Smoked Sausage of the Leg, Creamed Morels, Provencal White Asparagus and Roasting Juices

Cheese
So now it was time to get going:
"Modern" vintages
Modern vintages: These tastings always focus on vintages that are mature or at the very least maturing. Whilst this started with the 1999 I have heard good things about the 2000 and had the 2001 recently at a cracking dinner in St.Emilion and it's delicious...this was a stunning flight.

1999 - Pure colour, actually the colours in the first two flights were very consistent, with a tiny bit of development. Lovely fresh mulled red fruits on the nose. This is the only wine on the evening that was most certainly primary. Really good balance and density, a shade reduced and a little hint of cheesecloth, sweet berry fruit on finish. Very promising.

1996 - Good colour and clarity. A little pine-like spice, richness on the nose, palate good but a shade drier, quite taut and serious. Some sweetness. There is a very "1996 like" sternness. I like this and would like to drink a bottle, it isn't showey enough to standout in a tasting like this but is good.

1993 - A slightly deeper colour, deliciously sweet and succulent, not just red fruit on the palate, good depth, a shade of clementine and tangerine. This is a little bigger than some of the 1993's I've had. Delicious and certainly still loosening up and improving! Very fine.

1990 - Good colour, pure, delicious, opulent, decadent, this is a little degraded. It doesn't quite have the poise and focus of the 1993 or 1999 but has an easy appeal of obviously being good....very 1990-ish 

1989 - A shade lighter in colour but so bright and so clean. A shade of animal character just showing a little more a maturity. Pure and lovely sweet fruit, really delicious, this is a feminine and sweet, poised wine. A little herbaceousness certainly, this is, on this showing, a classier and more refined wine than the good, but more brutish 1990. Special.
1988 - A shade more evolved, a dash more texture, almost a slightly chalky, powdered feel. At the same time it is very moreish and a little saline, the note doesn't seem "glowing" but this is good and a little like the 1996 in being very typical of the vintage.
The classics
Classic vintages: A dangerous title given that it raises expectation.

1985 - Paler and lighter in colour but so clear and clean. A little development but such profound sweetness, a lovely greenness that gives energy. This is a really super wine, focus but generous, rich but not remotely weighty. Special, graceful, perfect now.
1979 - Bright, clean and lean. This is in a similar style to the 1985, it remained remarkably consistent in the glass, not budging an inch. Great persistence and poise. Lovely.  

1978 - Slightly less clear as a colour. More texture, a little more degraded but at the same time saline, this is bigger and bolder than anything else going back to the 1990. Opulent and generous. Nicely a little vulgar.

1976 - More red to the colour here. This is very deep and quite resinous. Serious and with really decadent richness and opulence. There is a sense of the hot and dry season but not of burnt fruit. The image is one of small intense berries. Very good indeed.

1970 - A shade orange in colour, clear madeirisation, the palate initially had a dash of sweetness but ultimately this is not right.

1967 - This has a little madeirsation but whilst the 1970 does not appear to be representative I think this probably is as 1967 is just very tricky.
Illustrious indeed!
Illustrious vintages of the George de Vogüé era:

1966 - Sensational wine this. Good colour, lovely saline, some smoke and generosity but also focus. Rose petals and delicate aromas, a little like the 1985 in character but with even more to give. Staggeringly good.

1964 - Slightly frazzled, degraded even, then a little fruit and some sweetness but ultimately this is not in perfect condition.

1962 - Delicious, seriously giving the 1966 a run for its money. Herbs, cocoa bean and then some spices before a little coffee but all with good intensity. There is an element of the 1976 character here. Special.

1959 - Clean bright colour, some decaying fruit, clinging on a little. Interesting.

1953 - Sweet decay, a slightly milky texture, this actually got a little better with air which was unexpected.

1949 - Smells a little herbal, almost minty with some saline too, a shade powdery in texture. This is interesting and not dead if a shadow of what it probably once was.
The last flight!
Musigny Blanc mystery vintage - So this had to be 1994 or older as the white has been named Bourgogne Blanc since, knowing Jordi it could well have been much older. There was a grapefruit character and some citrus. To me there was an almost Chablis like quality. Clearly very little new oak. It was impressive and enjoyably pure too but I really needed to know what it was. One of our number got it bang on saying it reminded him of another white of the same vintage - Corton-Charlemagne from Bonneau du Martray - it was the 1987 vintage.

Fonseca 1963 followed on and was lovely, a little volatile, slightly raisin like. The marzipan character was there but in perfect balance with the succulent dried fruits. Another reminder, as in the last post, that we really should drink more good port.


Jordi, in a fit of generosity, then opened two more bottles both of vintages we had had earlier - 1976 and 1953. The 1976 was a fresher bottle, insanely so. The previous bottle was superb and what you would hope it would be in terms of maturity. This bottle tasted more like the 1993 than any other wine of the night, amazing really. The 1953 was a more lively bottle, showing more fruit and a little more balance...

All in all a stunning evening, a really good group, everyone's expectations were surpassed. What we learnt I think is that Bonnes Mares from de Vogue is more that capable of Red Burgundy of the highest order and is not to be underestimated. Also that whilst the de Vogue style is one that repays cellaring this has been exaggerated...I look forward to many more vintages in the future.

Thank you Jordi and thank you Jean-Luc for your insights!
Amouse Bouche
Crisp Milk Fed Veal Sweetbreads with New Season’s Wet Garlic,
Violet Artichokes and Preserved Lemon

Slow Cooked Fillet of Cod with Purple Sprouting Broccoli, Smoked Anchovy and Red Wine
Roast Organic Guinea Hen with Smoked Sausage of the Leg, Creamed Morels, Provencal White Asparagus and Roasting Juices

Sunday, 12 July 2015

Rousseau at the Riverside...

This was a cracking luncheon well orchestrated by Irish Pete. The drill was to eat at The White Oak in Cookham and then have a gaunt on the river post lunch. Five of us gathered on a muggy day with each bringing a bottle and Irish proving the focal point - never a bad thing when that focus is Rousseau. The food we were served was delicious, simple, elegant and just the foil to the wines, well worth a trip.

We kicked off with two vintages of Dom Perignon the 1996 and 1990. The 1996 served first was absolutely delicious, I have often said that prefer the bottle ageing of Champagne to the yeastier and, in my view, clumsier ageing you get on the lees. These were both original release bottlings. The 1996 was just at a lovely stage, youth giving way to the first signs of maturity, there was still plenty of drive and focus. The initial elements are strawberry fresh but then citrus before a little biscuit takes over, in short this is spot on now. I would imagine magnums are worth holding for 2-3 years but bottles, on this showing, are bang on. The 1990 is mature in my opinion, not over mature mind you. More open, more flesh, apples but good apples then a little butterscotch. There is more roundness and consequently less drive to the wine. Both were delicious and cracking start, serving them in big burgundy glasses also helped. As I write this I'd love to have a bottle of the 1996 chilling in the fridge!

From there we were Burgundy-bound, whites first. Batard-Montrachet Grand Cru 2007 from Domaine  Leflaive and Meursault 2005 from Coche-Duty were the two whites in question. Sadly, there is always a little suspense before opening Leflaive these days and also a thought for Anne-Claude. This was a bright and delicious bottle, a lovely youthful colour (or lack of colour). Great balance, elegant for a Batard, a little whiff of reassuring reduction, it really opened up well in glass to reveal white and yellow fruits, more the classic zip of 2007 that the "broad shoulders" of Batard, lovely, the lunch deserved a good bottle and so it was. Coche-Dury is probably the only producer who make a village wine that would fit at such a lunch. The "supplier" of this has been busily hoovering up the 2005's from Coche. This village wine showed so well and reminded me of another occasion when Irish and I had enjoyed the wine, from 1993 that time, courtesy of Mr G. This 2005 had aniseed and fennel as well as an exuberance, cracking stuff.
Now it was time for the "main course" in all senses of the phrase. Mr H sensibly suggested the next two wines were served in a staggered format to avoid too quick a comparison, very shrewd as there can always be a tendency for instant comparison. In itself this is ok but it is so often to the detriment of one of the wines. This was not the aim here. First out the blocks was Chambertin Grand Cru 1993 from Rousseau. I have been very lucky to have 1990, 1991 and a few other vintages of this genuinely iconic wine. This was gorgeous, poised, it encapsulated the Rousseau signature, for me, of depth and intensity without weight, it was fresh and defined, redder of fruit than I expected. Youthful but not immature. In short stunning. It was then joined by it's sibling Chambertin Clos de Beze Grand Cru 1993 from Rousseau. The wisdom of the staggered start was clear to see. In some ways there was more density, more intensity, more fruit, less savoury. This struck me as a little brighter and redder, a little younger tasting. Reflecting back on it later there was a suggestion that the Beze was a 100% bottle and may be the Chambertin a mere 99% or at least that the Beze was a more youthful example. When I did ulimately decided which I "preferred" for me it was the extra savoury dimension added to the Chambertin but both of these wines are extreme examples of what Burgundy can be...

Clearly that pair were going to be a near impossible act to follow. So we had two wines of different style, one still in Burgundy - Clos Vougeot Grand Cru 1990 from Mongeard-Mugneret and my offering, surprise surprise, Monfortino 2002 from Giacomo Conterno. The Clos Vougeot was re-assuringly different from the Rousseau's. Quite chunky, not over the top, not 1990 soupy which can happen it has a good sweetness to go with that Clos Vougeot grunt, it stood up for itself very well. The Monfortino, watch out for the usual bias, was lovely, very young, we actually put it back in the bottle to cool it as it had got a little warm on the muggy day. It is a wine just getting into second gear, there is a good green freshness as well as dark lifted fruit and that savoury saline signature.

It had been an absolutely splendid meal, lots of good conversation and a keenness to make sure that those who did not attend knew what they had missed. It sounds like we might set this as an annual event - I do hope so!

As we fragmented three of us, Irish, Mr H and myself headed back to the riverside for a ride up the river. As we were in Henley, not sure how I missed mentioning that before, and the rowing was starting the following week we got a good view of the course and a few crews out on the river practising. Of course you can't do that with an empty glass so we took Ruchottes Chambertin Grand Cru 2002 from that splendid Rousseau chap. It was so wonderfully primary for an "02", several of which I have found (admittedly at other "lesser" addresses) to be a little prematurely gamey. This was not a waste to drink now, so bright and dark red fruited. It was a brilliant end to a really cracking day…just what summer fridays are for! Thank you all from your bottles and for organising.
Stay Left!

Sunday, 3 May 2015

The "Lads" at The Greenhouse…

So a gathering of what - for reasons of confidentially - I seem now to refer to as "The Lads". The Greenhouse was the venue and sadly we were five not seven but with Nobby shuffling the deck winewise we had a hell of a line-up.
Salon 1997 is always a good place to start, it is showing a lovely balance, Lemon, citrus with a little shortbread, good life, it has a slightly saline edge...very long future ahead but it is no waste to drink now. Interestingly the sommelier served it decanted in the Zalto white wine glass…both of those things showed the wine well at this stage. The menu had been prepared specially, you don't get 2 stars easily...
Canapes
Beef, Avocado, Wild Mushroom

Cornish Crab
Mint jelly, Cauliflower, Granny Smith apple, Curry

Veal Head
Mint, Peas, Herbs

Native Lobster
Potimarron, Grapefruit, Vanilla, Tarragon

Dover Sole
Beetroot, Red Wine, Vadouvan spices

Chicken
Erbette, Snail, Wild garlic

Strawberry
Thyme, Sesame, Milk

So now it was time for the line up to go up a notch. We did the three whites one by one and blind, only blind for a few moments that is.

Meursault 1er Cru Les Boucheres 2011, Chateau Genot-Boulanger is a wine I do not know at all. I'll be totally honest and say I had an inkling towards white Bordeaux so fresh was this. That was never going to be likely but "nothing ventured" and all that. The freshness was from a nettley "good greenness". This looks to have a good future and when it was revealed as Meursault it made me think of the tight, mineral styles like Roulot, nice wine.

Chevalier-Montrachet Grand Cru 2011, Francois Carillon was the bottle I took, only the second time it has been made. Francois Carillon as an estate being first made (fully) in 2010. This is from a tiny 0.045 hectares. It was good to have it after another 2011, it opened up more and more with time as you'd expect. There is a slight lemon sherbet element but also some of the saline quality, clearly it is a "nipper" now but has a good future and it was fun to keep re-visiting it. Pretty classy.

Batard-Montrachet Grand Cru 1986, Ramonet was so obviously much more mature, it was in now way tired, it was unctuously classy and moreish, there were elements of toffee and butterscotch but always with a drive and liveliness, really lovely, propper breadth too, it wasn't afraid to be Batard, full and quite masculine, the empty glass smelt like a sweet wine. Splendid.

The three Burgundian reds were served in turn so that we could look at each but also look at them together:

Mazis-Chambertin Grand Cru 1993, Rousseau was absolutely delicious straight "off the bat" with red black fruits and a soft persistence, a lovely freshness went through the wine that kept it lively and airy, rose petals showed and a delightful balance. Very good indeed, very 1993 and very Pinot.

Chambertin Grand Cru 2001, Rousseau was every bit as good as I have dared hope. My note reads: Orangey tang and delicious, delicious brooding rich red and black fruit, a "puppy", very primary with a stunning palate but delicious now, does have a savoury edge, cheese and smokiness, love this...  

Romanee-Saint-Vivant Grand Cru 2001, DRC - followed the Rousseau (not easy) brilliantly, lots of flavours, good fruit but also herbs, pencil shavings, less obviously so young, a little spice and herbs again, the some power too, graphite and just a dash of white pepper. Very complex.

It was a truly glorious trio, just what those two producers and Burgundy are, and should always be, about - complexity and drinkability. We then had two pairs of Bordeaux. It was one of those splendid occasions when nobody was bothered about a "winner", a real treat all round.

Magdelaine 1990 and Margaux 1985 formed the first flight. For the Magdelaine I had "Ink-like colour, showing well, bold, iron-like, savoury but with enough sweetness, rich, beefy, stocky, then dates, lovely" it is certainly on the savoury side as Magdelaine always is. A magnum of the Magdelaine 1985  was a real treat recently and much as I understand the reasons why it no longer exists in its own right (it nows forms a large part of Belair-Monange), I do feel it is a shame. We were a long way off with guesses, being on the other bank of the river but I am never unhappy to get this wrong (with a few exceptions). The Margaux was splendid also, a little drier and more reserved initially it somehow it had a bolder core and then became more lifted and aromatic, really lovely.

With "lunchers" energy not even starting to dip we were into the last pair of reds Cheval Blanc 1981 and Cheval Blanc 1959. I have to say I count my lucky stars every time I get to drink these older wines, the 1959 I really mean by that, when knowing they are from good cellars and are genuine. The way things are these days we would (at work) sadly run a mile from the wines from 1945, 1947, 1955, 1959 and 1961. But first the 1981. This was "forest floor" in character but then really quite rich, it was a quite degraded but sweet "naughty" smell, fresh with good lift, a confusingly good Cheval, (fortunately) I can't remember what I though it was. And so to the Cheval Blanc 1959, I always find these very good but fully mature wines difficult to describe but then that is the very nature of complexity. My jottings say "sweet, savoury, leathery, tobacco and soy, more soy, more sweetness, dates, amazing savoury texture, more ferrous than frivolous". It really was quite something, I think I guessed 1955 because the few of those I have had have the same energy and colour.

The final wine of lunch was de Fargues 1986, it was the only wine of the day that may be didn't quite show its full potential, it was still good and not faulty but it lacked energy, there were bruised dried apricots, lots of rancho richness and lots of the brûlée character.
What a lunch it was, wonderful wine, lots of great chat and the chance to look at some try great wines and wines that might go to even more special places…thanks as ever to "The Lads".

nb My only regret is that there is no picture of any labels or a line-up shot, for this I blame Ronaldinho fully, he distracted me…how is another story...
When will I ever learn…I didn't need this delicious Negroni….

Saturday, 21 February 2015

La Tache - decades and decades...

A wonderful dinner that was years in the organising by Jordi Orriols-Gil. It was a quite wonderful marathon all in all from a kick off at 7pm we finished at midnight…The notes below are a little erratic that is only because with some flights there was a bit of quiet and everyone was quite studious with others the conversation flowed and I wrote far less. As always when dealing with great wine the notes end up being comments and observations, or even character assessments, rather than descriptors.

A mention must go to The Square whose service was good as ever and whose menu was really delicious (a couple of pics at the bottom).

Salad and Tartare of Highland Wagyu Beef with Nasturtium and Bouton de Culotte

Ravioli of Wild Mushrooms with Melted Onions, Parsley Oil and Snails

Glazed Veal Cheeks with Cauliflower, Chanterelles, Parmesan Caviar and Truffle 

Breast & Croustillant of Pigeon with Confit of Vegetables and Trompettes de la Mort 

Burgundian Cheese

Rhubarb Fool




So, on with the wines:

Bollinger RD 79 en magnum - Rich, opulent, a little dry Tarte Tatin, enticing with some saline.

Montrachet 1950, Comte de Moucheron – The Comte de Moucheron were the owners of Chateau du Meursault and the owners of the plot of Montrachet that was later sold to the Domaine in 1966. This was alive but fully mature, as you’d expect. A dry butterscotch and orange character, tangy.

The wines were then served in flights of between three and six wines. The glasses used were mid sized, bigger and some of the delicate wines would have been too prone to oxidation as we were 14 people to each bottle. No wines were decanted just poured straight from the bottle. Other than the magnum of Bollinger everything was from bottle format.

Flight 1: A brilliant flight of young wines that really showed exactly the characters I expected of the vintages.

1999 – Such amazing vibrancy, so rich with fruit but so focussed, a shade of graphite minerality but essentially a wine of opulent fruit, some of that fruit is quite dark. Really very special, on reflection one of the wines of the night. I have had this a few times and it is a stunningly exciting wine, no doubt about that. If you own this be very excited.
 
2000 – A shade more bruised in fruit character, mulled fruit a little, a dash of orange rind but only a tiny bit, light and elegant, no blockbuster, gentle, good focus, became more generous, easily nice, a little grip on the end but essentially very complete if short of being profound.

2002 – A shade degraded as you would expect, very 2002 to the 1999’s purity. “Mulchy” there will be undergrowth to come soon, some mushroom but also sweetness, young but on track to be a wine that has superb secondary and tertiary class. Structure is very good, definitely there but very balanced, retains it’s sweetness. On revisiting later is tightened up and kept it’s focus.
Flight 2: Possibly the flight where I learnt the most, wonderful differences.

1980 – Interestingly Aubert noted that this was the second vintage (after the ‘79) where they did no racking, straight from barrel to bottle so as not to lose anything. This wine reminded me of the Romanee Conti 1965 we had had the previous evening. Incredibly clear, clean and pure, so persistent, like rosewater, consommé and savoury notes all at the same time. Amazing and in most peoples top three wines of the night, who would have thought…
 
1985 – More red colour and depth than the 1980, sweetness, life, very fine. Three of those assembled commented that it was not as perfect as another bottle they had previously drunk together but to me this was high class and really pretty decadent.

1989 – This had a strictness and correctness but certainly a lack of charm. Good weight and density as well as darker, thicker colour, more robust but also a little clumsy. The tannin ws definitely there, as was dark fruit but somehow the two did not meld as they might. I was very re-assured by Aubert’s observation that this was a wine that went into bottle “in a bad mood and has never really changed”. In isolation a good wine from a vintage that has never been as great in Burgundy as other European regions.

1990 – Superb, decadent nose, very 1990. There is an element of the 1999 about this but may be more degradation. There is a little savoury side but fundamentally this is a wine of dark but fresh fruit, succulent texture and a dash of cleansing saline at the end. Odd though this may sound but it reminds me of a Burgundian Haut-Brion 1989 in so far as it is just so hard not to like it and yet it stands out as being of the vintage as much as the site. Delicious.

1991 – If the 1990 has always been the opulent, generous, crowd pleaser then the 1991 is the purists vintage, all freshness and red fruit with acidity to focus and sort of perfect leanness. Such focus and life, nervous energy if you like. Aubert commented that it corresponds exactly to the type of wine that he likes to make. Poised and classy.


1989-1990-1991
Flight 3: It is fair to say this was comfortably the most under performing flight, even those that were good had a degraded, powdery colour and texture.

1970 – It was noted that this was a very difficult vintage with botrytis almost floating in the air as in 1965 and 1967. The wine had some bruised oranges, then quite quickly mushrooms and mushroom water*, it was a little weary but I did like it, long as well.

1971 – We tried two bottles. Neal Martin, whose birth year this is, said he must have cursed the wine. The first was promising but ever so slightly corked and once you noticed this you couldn’t avoid it. The second bottle was more correct but not (cork aside) as good as the first. A shame, you could though tell in that the first showed real class and texture as well as savoury persistence.

1972 – Oranges and Verdehlo Madeira, a zesty powderiness, it was like must, pretty exhausted, so beyond mature but my note finished “bizarrely enjoyable”.

1974 – This was noted as a rainy vintage like 1967 and 1977. There was sweetness there and dry wood, a good surprise, not serious but really enjoyable.

1976 – Aubert commented that there are others who probably made better '76’s. It was very hot but picked in the rain that finally came. Someone asked about 1976 and 2003 being similar and Aubert felt that 2005 has more in common with 1976 than 2003 does. I like this wine, clean, precise and really quite dense, a great effort.

1978 – Sadly this was not as it should be. A Bual character and drinkable due to some sweetness but… 
  
Flight 4: A lovely flight, clear candidates for the wine of even this night.

1962 – Not correct in colour or tasting

1964 – Wow! Stunning, fresh and pure, red-fruited bliss, energy and life, vibrant. Not heavy just weighted perfectly and balanced, feminine even. Exceptional.

1965 – Some soy and balsamic, nice, on the savoury yet focussed side of things. Some mushroom came out and the colour did brown in the glass, elegant.

1966 – Delicious, nervous, so elegant, sweet yet savoury, some wood and nutmeg, real depth, I could see the ’99 developing this way but then I could say that for the 1964 as well and yet the two wines are quite different.

1969 – I made very few notes here sadly – I had it down as good but lacking a little fruit sweetness.
 
1964 – Another bottle, a little less “red” than the other, very good though, slightly more saline and savoury notes but the same focus. A magnificent bottle on any night but just shaded by the over 1964.

Flight 5: What our host would call mature wines!

1950 – Tea, some orange but lightly so, citrus, sweetness, almost some butterscotch, a little vanilla, lovely, elegant...with air some coffee notes appeared…fascinating. It was very interesting to note that this vintage was all but written off by the critics…it certainly “shouldn’t” be alive now!

1952 – Delicate, lovely, fresh, bright, a little edge to it but there is some volume, fascinating.

1953 – Sadly not in taste-able condition.

Romanee-Conti 1953 – Clean and clear, very very good, very persistent and focussed, real weightlessness but also sweetness. Light and elegant, very fine.

1958 - Sadly not in taste-able condition.

1959 – A dash of caramel, a real similarity of character to the Romanee Conti 1959 tasted a few weeks previously. There is a viscosity and intense sweetness, incredible.

Flight 6:

1937 - Sadly not in taste-able condition.

1943 – Bacon on the nose to a degree, richness but a light framework, in one place. It has an energy albeit delicate…surprisingly long.
Not that any more wine was needed but Jordi always likes to keep the line of vintages going back so we went into the 1920's with:

Climens 1929 – Very much Brulee initially, dried fruits quickly appear, good but fully mature of course.

Doisy-Daene 1928 – Fresher, lovely, toffee apple character even some pecan…

What an evening, a great reward for Jordi's hard work in assembling these bottles. Certainly a tasting I can't imagine will ever be repeated. I don't think anyone has ever doubted La Tache's place at the top table of vineyards in the world let lone Burgundy. Possibly the most true identifier of a great site is the ability to perform year in year out and in a series of different vintage conditions. La Tache does this from extroverts like 2002, 1990, 1959 to the refined and elegant dancers of 1980, 1991 and more…wonderful (however biased I may be)...


The beginning and the end...
Salad and Tartare of Highland Wagyu Beef with Nasturtium and Bouton de Culotte
Ravioli of Wild Mushrooms with Melted Onions, Parsley Oil and Snails

*Mushroom water - this is a note I have started to use a fair bit, it describes the smell you get when soaking dried mushrooms in hot water. This normally signals that Mrs Hargrove is making her mushroom risotto, always a good thing!