Showing posts with label 1955. Show all posts
Showing posts with label 1955. Show all posts

Sunday, 13 November 2016

Cantina Giacomo Conterno “PaulĂ©e” with Roberto Conterno

Back in May I made the annual trip to see Roberto Conterno and taste the new releases at Cantina Giacomo Conterno along with a few other wines (I love my job) you can read about that trip HERE.
One of the things we discussed with Roberto and his, ever helpful, assistant Stephanie was getting them over to London, this we finalised while we were out there, setting dates for July. They had a very busy time while they were here and I have briefly put notes at the bottom of this post about the wines we showed at a press lunch and a private customer dinner.

One of the main things I wanted to do, with not a hint of self interest you understand (much!), was to get some customers together for a small (we were 12 people) Paulee at 67 Pall Mall. The team there, headed by Gareth, did a great job with endless Zalto Burgundy glasses and lots of pouring.
The team in the kitchen did exactly as asked and came up with a simple and non-clashing menu as below. In the nicest possible way I don't think we even noticed the food much!


Fillet of beef Carpaccio, rocket, capers and sourdough croutons

Somerset organic spelt and girolle risotto

Fillet of beef Wellington with beef dripping roasties

Girolles on toast

People were asked to bring along a magnum or two bottles of a wine of Roberto's. I did a little bit of "steering" on the selections and we came up with a cracking combo.
As the guests assembled we started with some Wiston Blanc de Blancs 2010 which is drinking very well right now, a nice combination of zip and a little toastiness showing, the sort of thing I will regret not tucking a few bottles aside of to see what it is like in 5 years or so.

Flight 1 - "Nobody puts Barbera in the corner"
Ok so that's a naff title for a flight but as Roberto never tires of saying "you are not opening a bottle of Barbera or Barolo of even Monfortino...you are opening a bottle of CONTERNO". The Barberas are given every bit of love and attention that the Barolos are and I would say (well I would wouldn't I) that the Conterno Barberas are the most consistently high quality you will find anywhere. I wanted to use this as a chance to show not only the two sites but two different stages of evolution:

Barbera Cascina Francia 2008 - this is a wine I know very well, moreish and becoming more savoury, good mellow grip and dark but not deep fruit. There is a lot of balance here, pretty seamless. Quite serious as Francia always is.

Barbera Cerretta 2012 - this is, like 2008 above, from a cooler, more classically Nebbiolo vintage. The vibrancy of the violets and dark cherry fruit is superb. If I was to drink any Conterno without food as an "aperitif" it would be Cerretta Barbera. Cool stoney minerality seems to get in there too.

Flight 2 - two by two...
So this is a cracking way to get to know two sites. I was keen to show these as they are two different vintages and then the two sites. The site differences showed very clearly. The vintages did too but a little less so. I think this is often the case with great producers.

Barolo Cerretta 2010 Magnum - this is the first Barolo from the site, 2008 and 2009 both being released as Langhe Nebbiolo (the 2008 is stunning right now!). This has a super-charged feel, rich and fruited and with a big structure, there is density and concentration here, lusciousness even sucrosity. This will be fascinating to follow.


Barolo Cascina Francia 2010 Magnum - my note for this features the word "serious" twice. There is a density but this is a linear wine, with drive and poise. I like this a great deal, it is just as I would want it to be, introvert, saline, tight and proper.

Barolo Cerretta 2011 Magnum - this really typifies Cerretta for me, it is friendly and approachable, begs to be drunk. Sweetness and succulence. There is a very Nebbiolo character but also a warm vintage intensity. If you own this it would be a great shame not to try it in youth.

Barolo Cascina Francia 2011 Magnum - my note just starts "Superb wine". Delicious fruit, good grip and drive that makes this less overt than the Cerretta. Reassuringly savoury and grippy but with fruit that roles over the tannin, great balance to the nose, red, black, soil and salinity. You can really sense the input of what would have been the Monfortino barrel.

It was every bit as good a flight as I hoped, as expected the 2011s are showing more now but the 2010s would appear to have it all.
Flight 2
Flight 3 - One site, four vintages... 
If I was asked to name my favourite vineyard, from a pure drinking perspective it may very well be Cascina Francia. Now planted to 9hectares of Nebbiolo (to give you a perspective Clos de Tart is a little over 7 hectares and La Tache is around 5hectares) and 5hectares of Barbera.

Barolo Cascina Francia 2008 Magnum - I am a massive fan of 2008. I really feel that those who may have bought Barolo in 2004 and 2010 (the most lauded vintages) but not 2006 and 2008 have made a mistake. 2008 is a vintage of sweetness and elegant feminity but with no lack of classicism, 2006 is the older brother to 2008, grip and texture, a wine of sternness and complexity. Roberto was very interesting on the 2008 as a growing season mainly because there was a seven-day spell towards the end of September when the temperature fell to zero...this was about a month ahead of the Nebbiolo harvest. Somehow this s
eems to have left wines with less obvious tannin but no lack of complexity. This wine is a lovely example of Cascina Francia, fruited but not overly so, red bramble like hints with brine and leather grip in there.

Barolo Cascina Francia 1994 - this was "gone", badly stored I am guessing, like bovril and PX sherry then tobacco leaf. It is a wine I have had before, a few years ago, it is ok but not much more. In Roberto's own words "from 1995 it is pretty difficult to find bad vintages".


Barolo Cascina Francia 1990 - A wine I know pretty well and last had with Roberto when I visited back in May. It is also a wine I have had a few other times over the last 5 years. Saline, soy, degraded darker fruit and some bacon fat are real signatures of this wine. We did while tasting this superb wine get onto talking about 1989 vs 1990 and I remarked that I'd never had the 1989. There was also no Monfortino in 1989 which would seem odd for a vintage that many label as a comfortable 5stars. The reason is that only 4000 bottles of Barolo was made from the Cascina Francia vineyard due to a hailstorm. It remains I wine I crave to try.

Monfortino 1955 - now this is an experience and one I have had a couple of times before. Notably here during a splendid lunch. This was good showing. From 20 years (ok 19) before the Cascina Francia site was bought. Frazzles, bricky, briney nose with richness. There were a couple of funny conversations over this wine but the over-riding memory was that Roberto simply commented how totally ludicrous his predecessors would have found the idea of people in London enjoying this wine nearly 61 years after it was made!
Flight 4 - Mighty Monfortino...for now and for later...
Monfortino is an iconic wine in the correct sense of the word i.e. because it has proved itself to be a beacon for Barolo and not because the estate or someone in marketing department calls it such a thing. Iconic status can be difficult as it comes with expectation. I genuinely believe that the Monfortinos of the last 15 years (01, 02, 04, 05, 06, 08, 10 & 13*) are amongst the greatest. * The 2013 will be just Monfortino (i.e. no Barolo Cascina Francia), a move not seen since 2002. Simply put, the quality is that good.

Monfortino 2004 - one of only about 5 or 6 wines I have given a perfect or near perfect 20 out of 20 to. That was when I tasted it at the estate back in May 2011. It is a wine I have had a few times since and it is profoundly good. Such drive and persistence, grace and at the same time fathomless structure. It has red fruit as well, no deep dark monster just a great wine. I wouldn't change a thing about it.

Monfortino 1999 - a slightly volatile example compared to the ones that the note below refers to. The was good, rich and full with a lot of salinity.


Monfortino 1997 Magnum - This is a cracking example of a mature Monfortino. It has soy and a little ginger as well as nicely degraded fruits. Of the Monfortinos from the last 30 years this is the one to drink right now. I think it will age well but why would you?


Monfortino 1995 - This is a leaner vintage for me, not quite the round degraded elements that you can find in the 1997. A little stricter. I have a feeling it will make a good older wine, I have nothing but gut feel to base that on. 

It was a wonderful evening - to get the chance to sit and discuss this many wines with Roberto and hear the passion was incredible. I'll leave you with one comment from Roberto, said in the most heartfelt way imaginable "We do not make wines for other people, it is only in making wines for us that satisfy us, that we can be satisfied, that is what drives us".

All that really remains is, as ever, to thank Roberto (and Stephanie) for the time, energy and wonderful wines...I am looking forward to my next trip to the Langhe already!
A great nights work!

----

Also in the same visit we hosted both a press lunch at the office and a dinner at Sartoria in Mayfair. On both occasions we showed the same four wines, my notes below:

Barbera Cerretta 2013, En Magnum - "Intensity" and "pleasure" are the watch words here. This is a great vintage for Barbera, expressive and rich but with the necessary acidity and focus. More extrovert than the 2012 mentioned above. To my taste this will be in the zone in 2-3 years. Very true to its site. 

Barolo Cascina Francia 2001 - Saline, salty, a zesty texture with bacon fat and soy, mellow fruits, some ginger appearing. This is just shifting from 3rd gear into 4th. Classical - 2001 being a serious vintage of intensity.

Monfortino 1999 - This is a very typical Monfortino for me, a vintage you "Chew", rich but vast, full and focused at the same time. Hard to write a note for actually. I have always liked this wine.

Barolo Cerretta 2011 - More clay here in this site and it shows there is a lusher texture. Notes from all three times (including the above) are very consistent. Vibrant energy.

Thursday, 31 December 2015

Latour a Pomerol - historic vertical...

After a run of really rather amazing "Jordi dinners" over the last year or so:

I was especially looking forward to this - a very thorough look at the wines of Latour a Pomerol at Les 110 de Taillevent in London with Edouard Moueix in attendance. I have always had a real soft spot for Latour a Pomerol, now yes there might be a commercial edge to that (I work for the agent) but it is more than that. The estate has made several legendary wines. It is part of a very great collection of right bank estates in the hands of ETS JP Moueix. It still somehow seems to fly slightly under the radar. I think this is for a couple of reasons, it is made as a wine to drink, it tastes well when young but is not showy or uber-extracted. People always tend to think that something must be wrong if the legendary wines of the past have not been replicated, not so. I am always excited to open a bottle, even more so a magnum of course, of Latour a Pomerol.

A few stats and background on Latour a Pomerol
7.9 hectares
90% Merlot
10% Cabernet Franc
Two plots: Firstly the nucleus which is 5 ha from the original Clos de Grandes-Vignes located on the central plateau on gravel soils close to l'Eglise St-Jean. The second plot named l'Ecole is located around the Chateau adjacent to La Grave a Pomerol on gravel soils and produces a slightly lighter wine than the first plot.
Production: Around 2500 cases a year, with no second wine

The team at "110" did well with the wines and the full menu can be seen here (a few pics are at the end of the post).


Pate en croute

Foie Gras canape
Mushroom Tartlet Cocktail
-
Duck egg, poached, lardorns, champignos de Paris, baby onions
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Risotto, creamy with a fricassee of girolles
-
Turbot meuniere, beurre blanc
-
Saddle of lam, roasted with pickled garlic, glove and rosemary
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Le Vieux Comte, 30 mois d'affinage
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Petit Fours
I have resisted the temptation to score the wines in this post. I would find it very difficult and therefore it is rather pointless. When comparing a wine that is young (2005) with a wine that is very old (1929) what do you really achieve with scores?

Bollinger started us off as so often at Jordi's dinners, it was rather apt here as the Moeuix family often serve it. R.D. 2002 en magnum was the choice here, very taut and reductive with a little mocha note, clearly will repay considerable time.


The wines were split into logical flights as below:


Recent Vintages

2005 - So full of vibrant fruit with just a dash of saline. Very moreish and alive, voluptuous but with good structure...excitingly good. As with other 2005's this is just starting to "strut it's stuff".

2000 - A little bit of stink, then opens into a wine that is lovely from now onwards, still primary in fruit but with added complexity. I would love to drink this alongside the 2005 in another 5 years. A little spice to finish. Proper!


1998 - A little more savoury and textured, a little iron on the palate . Very moreish indeed. At a lovely point in its evolution - the beginning of the second phase. The quality of the 1998 right bankers is still not really as well known as it should be. Complete. 


1996 - Quite iodine like, with a little meatiness and then a very slight lack of flesh on the palate (the vintage) compared to what went before. Nice to drink now without profundity coming along. More a wine of minerality than fruit. Solid.


1995 - Really good, a vintage that has somehow not had the profile or praise it deserves. There are proper tannins here with the nicely mellowed fruit to contrast. Will age well for sure but good now. Everything as it should be. Classically Pomerol.


Mature Vintages
1990 - Sadly not a perfect bottle. there was a minty volatile edge but then an overly lean and savoury palate. A shame.

1986 - Meaty but also sweet, elegantly developed, pretty and almost fragile. Surprisingly good for such a "Cabernet" vintage. Really like-able.


1985 - Ever so slightly muted nose initially but then this revealed a lovely red-fruited sweetness and lovely moreish (how many times do I have to say this!) texture. This is perfect now, so wonderfully drinkable, preferably in volume! There is the balance to age further by why would you. Just lovely.


1982 - Some iron-like savoury note then almost sweetness, a little blood but with lovely fresh acidity, expressive, extrovert and slightly high-toned.


It was lovely to see the wines so far had almost perfectly translated the general perceptions of the specific vintages. 


Iconic 1970's
1978 en magnum - Volatile, "bricky", harsh and dried out more like 30 year old Sangiovese than Bordeaux. Edouard commented that this was almost exactly what he had expected from this substandard and very dry vintage. 

1975 - Corked (gutted as this is both Jordi and my vintage)


1971 - Stunning, so easy to enjoy, lovely now, so persistently sweet and fine. A cracking Pomerol vintage. Delicious notes of pure ripeness. Supreme...Wow!


1970 - Corked (a real shame as Edouard spoke very highly of good bottles of this)


Transition to ETS JP Moueix
1966 - A little more gritty and grainy and truffled than the 1971. I initially wondered if this might fade in the glass but it did the opposite getting more focused, there is a lovely nuttiness, not normally a positive in reds. There is a sweetness. Very fine.

1964 - Sightly briney, almost a note of bill-tong and pepper, lovely body with good texture and considerable power, a fully mature but not fading wine. Masculine and intriguing.


1962 - Really impressive, fully mature, precise, really lifted, pretty special, almost a mocha note towards the end, stood up well in the glass. A treat.


1961 - Corked, a rather collective sigh, but then one shouldn't meet their heros.

Madame Loubat
1955 - Really lifted, extrovert, superb, manages to be refined in a mellow way at the same time as being unreservedly hedonistic. Is there a better vintage for Bordeaux? My experiences of the 1955 vintage are almost universally spectacular. This was so good that I don't know I would want to have it again, if that makes any sense.
1953 - I think this suffered from following the captivating 1955 because in every other way it was glorious, a little creme brulee richness on the nose. Decadent. 

1952 - Clearly a cooler vintage, bricky and a little lactic, a very slight Bual character, just a well-bred wine that is getting weary.


1949 - Quite high toned and a shade volatile, a little madeirised and delicate.


1945 - Decadent notes, dates in the mix, delicious, good acidity, lifted (the acidity) but also dense, really lovely. 


1937 - Butch and rich but then disjointed not quite sure what this was, very dry and did not really fit with the other wines. 


1929 - High and dry, a little pithy, the palate is clean but totally dried out, rasping. The acidity means it is drinkable but astringent. By all accounts a very small crop with heat in September.


Climens 1942 - Sweet cep nose, mushrooms and brioche, oranges and now quite dry. weirdly would have made a good appetizing aperitif as well as a fascinating ending.

So what would I say in conclusion or summary? Well, Latour a Pomerol certainly has a great past but it is the present and the future that were the learning for me. I think everyone around the table, with the possible exception of Edouard who already knew, was very pleased to see how beautifully the younger vintages drank. Any site that can make wines as brilliant as the 1955 and 2005 but 50 years apart is exciting. There is a grace and elegance to Latour a Pomerol that can almost work against it in terms of standing out around En primeur time or in amongst other showier, glossier wines at tastings. To me Latour a Pomerol remains a very very good Pomerol that portrays the character of a vintage very well and drinks so splendidly...long may it continue! Thanks for the opportunity to taste these Jordi!
Duck egg, poached, lardorns, champignos de Paris, baby onions
Risotto, creamy with a fricassee of girolles
Turbot meuniere, beurre blanc
Saddle of lam, roasted with pickled garlic, glove and rosemary

Thursday, 29 January 2015

The tasting of a lifetime...

This is the second post from the biennial meeting of the Domaine de la Romanee-Conti agents from round the world, the first one, a tasting of the 2012's can be found Here. This tasting is very probably the most special and unique tasting I will ever do. I thought long and hard about whether to post this as I do not want it to appear remotely like an attempt to show off, on balance I just thought that wine is for enjoying and to not post it would be silly. We had been "warned" at a light lunch (see next post) that there was a special tasting coming in the afternoon but I don't think anyone dared think it might be what it was.

When we entered the room and saw the set up it was instantly exciting, then it became clear it was to be:
10 Vintages of Romanee-Conti

There was an instant feeling of something simply unique. In terms of the details, the wines we all served in Reidel Burgundy glasses, poured and tasted as we went, unlabelled bottles at the perfect "cool" temperature.

The only wine in this range I had ever had before was the 1971 when Aubert received the Decanter Man of the Year. After each vintage there is the date of picking and then the yield.


1971
27th September
22hl/ha
Aubert noted that this was a small harvest where tweezers were used to select the good grapes.
There is some Bovril brown to the colour but it has the vibrant colour of young Bual Madeira. The nose has a beautiful degraded sweetness, so clean and vibrant. There is an amazing primary note to the fruit, red fruit but not light red. Initially on the palate the nose is confirmed, fruit again but a dash of white pepper freshness, persistence on the tongue, such life. This is a vibrant and lively wine almost exactly a third fruit, a third savoury and the final third is a saline, mineral structure. There is good focusing acidity.
The length is superb, minutes long and fresh, almost more fruit as time goes on, so elegant yet so firmly persistent. There is nothing you would change about this wine.
On re-visiting at the end of the tasting it had mellowed and melded together even more. Almost a raisin and red fruit combination.

1966
5th October
35hl/ha
Aubert’s second year at the Domaine.
Similar to the 1971 in colour, a shade more tea like and a little paler to the rim. So pretty, my initial reaction is to say this is more feminine that the 1971. There is a touch more salinity on the nose, very fresh and very airy fruit, weightless. Such persistence and rigor to the nose. Both the nose and the finish have such exceptionally wonderful fruit. A shade bruised and degraded but pure. The palate, in-between is more rich and has a savoury depth. With air a few more meaty and stock-like notes appear. Long again, the finish changes from fruit to tea and herbs. Superb.
On re-visiting at the end of the tasting I found wonderful fruit, almost citrus, orange and tangerine. So lively.

1964
4th October
38hl/ha
A more saturated or thicker colour, not quite as pure in colour either, quite bold and thick to the rim. Initially there are more tertiary notes and more animal, less red fruit but still has an amazing vibrancy. It is at a different stage, there is a tiny bit of spice, some sweet leather. Then there is fruit, the palate has a monstrous complexity but still a fundamental lift, there is a “bricky” tea leaf element. With air there is a lot of degraded sweet fruit. A long finish and one that goes from savoury to fruit.
On re-visiting at the end of the tasting I found more degraded sweetness, real intensity, lift but depth, some caramel-like sweetness.

1961
7th October
25hl/ha
Similar colour to the 1964 but with a little more purity. The nose has a note of mushroom then with air a heady, spicy fruit with a saline and berry fruit lift. Initially on the palate there is such amazing sweetness, a little lively note on the tongue, a lighter almost rosewater finish follows, this is delicate and tender, the finish is a perfect foil for the sweetness of the attack. Almost a green pepper note, but it is one of life and intensity, really special. 
On re-visiting at the end of the tasting it was a little more herbal, spicy, smokey almost a shade nutty.
The most famous cross in the wine world
1959
26th September
40hl/ha
A shade deeper in colour in the middle. The nose is only describable as “WOW”, so much life, caramel in abundance, extrovert, sweet and showy.  Power and prowess, so hedonistic. Very difficult to describe, such is the density of the sweet almost fudge-like nose. There is fruit but it is sweetly degraded. In a way this is like a warmer older brother of the 1971. There is more weight to this that any other vintage in this tasting. I think it is fair to say it does not have the multi-dimensional complexity of some. It does though show the intensity and ripeness of the vintage. The biggest yield and earliest picking date of this tasting.
On re-visiting at the end of the tasting it was just confirmed that in the nicest possible way this is a “Freak” of a wine.

1955
14th October
30hl/ha
Clear and pale but definitely a tanned colour. Following the 1959 is rather difficult, but this has unbelievably persistent fruit, and lots of it, airy light fruit that dances, this is so elegant on the nose. The palate is a little more savoury but the fruit returns quickly, little or no saline edge. I would imagine this has always been elegant and pure…tea aromas, splendid wine.
On re-visiting at the end of the tasting I found the fruit was still so poised, some of the fruit character is a little more orange like, a very complex wine.

NOTE: I felt that the 1961, 1959 & 1955 were like three siblings with very different characters.
1961 – A late bloomer.
1959 – The school boy hero…captain of the rugby team.
1955 – The quiet achiever.

1952
29th September
24hl/ha
The first vintage after the tearing up of the vineyard, the vines therefore were only 5 years old. There is a sensible argument made by Andrew Noblet that the bunches in this vintage profited from the “mulch” that resulted from the soil being fully turned over during the replanting.
Deeper in colour than the 1955, full tawny with no red at all. The nose is a little more muted than many. There is a more resinous note and it is a little pine like. The texture is lovely and it is “all there” just a little closed. There is a herbal edge and a persistence.
When coming back to this at the end it had become a little darker and with more soy.

1943
8th October
Yield not known
This was the last vintage before the grubbing up of the vines and was a difficult vintage. Some tobacco then almost perfect mushroom aromas, like soaking dried mushrooms in boiling water.  Again a touch of soy. Very, very classy and precise, herbs did show as well. Very persistent and fine, more breadth than depth. A little Asian spice and a long, long finish, I really like this.
On re-visiting there was more and more life and more and more cep.

1935
15th October
Yield not known
Very pale with hints of copper. Tea leaf and life with a dash of Sercial character. There is complete maturity here as you would expect. So light in colour but so flavoured and strong. There is a note of coconut and dry pineapple. This does have a tangy, slightly orange-like character. The aromas change every time you put your nose in the glass. You could just drink and enjoy this or spend 3 hours writing down all the nuances. A beautiful wine.
Alpine notes, herbal on re-visiting.

1919
2nd October
23hl/ha

“Bright” brown, almost a hint of rose about the very light but clear colour. A “manure” nose initially with very farmyard aromas. There is no madeirisation at all, very mellow indeed. It does have very gentle fruit sweetness. With every swirl, and on coming back after a few minutes it is far less farmyard and more complete. Prettier and prettier. Amazing for a 96 years old!

A truly wonderful tasting that I will never forget, it that more than showed off the staggering beauty of this Cru.